Amélie Mckee (b.1996, FR&GB) is a visual artist who works across installations, singular objects, and collaborative curatorial projects, with a focus on the conditions set by industrial infrastructures such as electricity grids, Wi-Fi, radio frequencies, and smart technologies. Her research taps into how technologies are fetishized as mystical, impenetrable objects and yet composed of rudimentary materials. Speculative design has a central role her practice Incorporating industrial components like buttons, cables, switches, and metal parts, creating the impression of functional devices, though their purpose remains obscured.
Recent projects include Immaterial Gelatine, Sherbert Green, London (2025); Artist Run Fair, Willie Willie Studio, Brussels (2025); LOG 3: Interceptor, Plicnik Space Initiative, London (2024); Post Facscism, Loods6, Amsterdam (2024); Scrap yard Screenings, Sara’s Worldwide, New York (2023); The Amazing Sex Show, inter.pblc, Copenhagen (2023); Eternal Maze residency, Petrohradská kolektiv, Prague (2023). She holds a MA from RCA CAP: critical practice (2021) and a BA Fine Art from Chelsea College of Art (2018).
She co-runs Plicnik Space Initiative with Melle Nieling based in Enclave, London.